I was fortunate enough to be able to stay at Studio Kura, Itoshima in Fukuoka. This was vastly different from Kagoshima, trading in the busy and active atmosphere for the rural surroundings of Studio Kura. The facilities there ere wonderful, providing some authentic Japanese living while I continued to explore the cultural elements of Japan, experiencing the amazing delicacies and my first onsen.



Although Fukuoka is seen as being safe in regards to volcanic activity I felt it was important to continue to produce experiments with my casting kit in this location. Japan has a huge proportion of the worlds active volcanoes as well as hosting dormant and deceased volcano’s as well. This area may not have active volcano’s for the moment but the volcanic material still lines the soils and surroundings. This would come from far off distances, far reaching volcanoes depositing its ash here or finding it siting within the soil from many years ago.

Sakurajima near Kagoshima was my first stop in my research. One of the most active volcanoes in Japan, this giant mountain is a constant threat to the local population as it continuously erupts volcanic ash covering the city. During the past week I travelled around the Island of Sakurajima by foot and by bike, spending full days researching, gathering information and recording different elements. I was amazed at how active it was there. The activity of the Island seemed to mimic that of the volcano; constantly active, things constantly happen, people moving working rushing. I captured some movements in audio and video recordings while conducting my minor experiments on the Island.

First Sakurajima Film Experiment

Second Sakurajima Film Experiment

The first experiment shows the actions as they happened with my physical presence very evident in them, while the Second Experiment features the sound of the event over a recording of the finished object in situe. The audio recording reveals the sound of the ramming rod compressing the ash while the image shows a still solid object. This disconnection between the visual and the audio creates a different resolution. The overlying of the sound disconnects the making from the object and disrupts the timeline of its life. The Sound of the action continuously plays over the stationary form as if mirroring the quiet form of the volcano as it remains constantly active.

First set of experiment Number one images. This was my first time using the compression mould on location. I was initially worried about how I was going to be able to make this work, it took some getting used to, working out the kinks in the methods of using it but I am happy with the results. These small temporal forms are part of my time on the Island, very discreet and unassuming really but mirrors my presence in a foreign land. I am out of place and finding my way in this alien location and leaving this little trace connects me to the space I’m inhabiting for a short period of time and will inevitably fade away shortly after its creation.